Sunday, November 9, 2008

DD1 Songs

Mile Sur Mera Tumhara...
http://muzicmanthra111.googlepages.com/MileSurMeraTumhara.mp3
Malgudi Days..
http://muzicmanthra111.googlepages.com/MalgudiDays-Tananatanananana.mp3
DD1 Songs
Equivalent Raagas in Hindustani and Carnatic Music:
What follows is a list of Raagas (the scales in Indian music, or the set of notes used in any given piece), first the Hindustani (North Indian) Raaga, followed by its equivalent Raaga in Carnatic (South Indian) music. The Thaat and the Melakartha (Mela) of the Raagas is also given.

Thaat
Hindustani Raaga
Mela
Carnatic Raaga
1 Kalyan 65 Mecha Kalyani
2 Bilawal 29 Dheera Shankarabharanam
3 Kamaj 28 Hari Kambhoji
4 Bhairav
15 Mayamalava Gaula 5 Bhairavi
8 Hanumathodi 6 Asaveri
20 Nata Bhairavi 7 Thodi
45 Subhapanthuvarali 8 Purvi
51 Kamavardani 9 Marva
53 Gamanasrama 10 Kapi
22 Karaharapriya 10 Abhogi Kanada
22 Abhogi 1 Adbutkalyan
29 Niroshta 2 Alaiya Bilawal
29 Bilahari 9 mbika
59 Dharmavati 1 Anand, Anandkalyan, Nand
65 Anand, Anandkalyan 2 Audhava Bilawal
29 Lalitha, Hindolam (Type 10 Bagaesree
22 Bagaesree-Suddha Bhairavi 10 Bagaesree Kanada
22 Kanada 10 Bahar
22 Kanada 4 Bairagi Bhairav
2 Revathi 4 Bangla Bhairav
15 Kannada Bangala 8 Basant
15 Vasantha 4 Basant Mukhari
14 Vasantha Mukhari 2 Bhativari
28 Chaya Tarangini 3 Bhativari
28 Sama (Shyama) 2 Bhimplasi
20 Bhimpalas, Abheri 1 Bhoop
65 Mohanam 1 Suddhakalyan
65 Mohanam 1 Bhoop Kalyan
65Mohan Kalyan 4 Bibhas
15 Bibhas 8 Bibhas
15 Bhauli 9 Bibhas
53 Purvi Kalyani 2Behag
29
Behag
10
Brindavani Sarang
22
Pushpalatika
3
Champok
28
Balahamsa
1 and 3
Champakali
64
Ketaka Priya
10
Chanchaldas Malhar
22
Aro. Madhyamavati,
10
Chandra Kauns
22
Varam
1
Chaya
29,65
Begadasarang
8
Dheepak
51
Deepaka
3
Desh
28
Kedara Gaula
3
Desh Goud
28
Desya Gaula
3
Desakshi
28
Bilahari
2
Deshkar
29
Mohanam
4
Devaranji
15
Devaranji
10
Dhanasri (Bhimplas type)
2022
AberiKarnataka Devagandhari
5
Dhanasari
8
Dhanyasi
6
Durbari Kannada
20
Durbari Kanada
2
Durga
29
Suddha Saveri
3
Durga
22
Matura Dhwani, Varam
3
Gara
22
Dhana Kapi
4
Gauri
15
Gauri
4
Girija
15
Vasantha
10
Gopi Kambhodi
22
Jaya Narayani
5
Gopikavasant
20
Gopika Vasantha
1
Goud Sarang
29
Goud Sarang
10
Gound Giri
22
Pushpalatika, Sudda Dhanyasi
1
Hamir Kalyan
65
Hamir Kalyani
2
Hamsadhwani
29
Hamsadhwani
1
Hamsakalyan
2965
(Hamsadhwani(Kaly ani
8
Hamsa Narayani
51
Hamsa Narayani
2
Hemakalyan
29
Begada
2
Hemant
29
Hemant
1
Hindol
65
Sunadavinodini
3
Kalavati
16
Malayamarutham
10
Hindustani Kapi
28
Hindustani Kapi
9
Jait
53
Gamanasrama
12
Jhaitkalyan
28
Mohanam
10
Jayajayavanti
22
Jayajayavanti (Dwijavanthi)
10
Jayanth
22
Jayantasena
6
Jeevanpuri
20
Jounpuri, Suddha Desi
10
Jinjoti
28
Jinjuti, Navroj
4
Jogid
15
Padi
10
Kafi
22
Hindustani Kapi
15
Kamalamanohari
27
Kamala Manohari
6
Kokila Pancham
8
Prabhu Priya
2
Kedaram
29
Kedar-Neelambari
3
Kamajee
28
Kamajee
8
Kusuma Ranjani
15
Gauli Panthu
2
Lavanti
29
Suddha Saveri
9
Lalit
17,53
Surya Lalith
4
Lalita Pancham
15
Lalitha Pancham
10
Lankadhhan Sarang
22
Sri, Kanakavarali, Suddhavelavali
10
Madhumad Sarang
22
Madhyamavati
10
Madhyamadi Sarang
22
Madhyamavati
10
Madhu Ranjani
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Udaya Ravi ChandrikaGambirnatabrnata
9
Madhu Vanthi
59
Dharmavati
5
Malakosh
8
Hindola
1
Malarani
60
Hamsanadham
10
Manavi
22
Manavi
2
Mand
29
Mand
10
Manohari
22
Manohari
1
Marga Behag
65
Suddha Kosala
4
Megha Ranji
15
Megha Ranjani
7
Multani
45
Gamaka Samantham
3
Nagavari
28
Nagaswaravali
3
Narayani
28
Narayani
4
Natabairav
27
Sarasangi
3
Natakuranji
28
Natakurinji
2
Pahadi
29
Pahadi, Mohana Kalyani
10
Palasi
22
Pushpalatika
5
Pancham Malakoh
20
Jayantasri
9
Paraju
15
Parasu
10
Patadeep
22
Patadeep
10
Patamanjari
22
Phalamanjari
10
Piloo
22
Piloo
9
Pooria
53
Hamsa Nandi
9
Pooria Dhanashree
53
Hamsanandi-Kamavardini
8
Poorvi
15
Poorvi
9
Poorva Kalyani
53
Poorvi Kalyani
3
Pratapavarali
28
Pratapavarali
3
Pulindika
28
Nagavarali
3
Ravichandrika
28
Ravichandrika
10
Rudra Priya
22
Rudra Priya
10
Sahana
22
Sahana
10
Saindavi
22
Saindhavi
10
Sindhura
22
Salaga Bhairavi
2
Shankara
29
Shankara
2
Shankaramohan
29
Shankara and Mohanam
6
Shobavari
20
Sutradari
1
Shree Kalyan
64
Saraswati
2
Shuddha Bibas (Mohan Type)
65
Mohanam
2
Suddha Bilaval
29
Sankara Baranam
2
Shuddha Kalyan
65
Mohan Kalyani
6
Sindhu Bhairavi
10
Sindhu Bhairavi

Salanga
63
Skanda Manorama
9
Sohoni
53
Hamsa Nandi
3
Sorat
28
Surati
4
Bairav
17
Sourashtram
3
Suhakannada
28
Pushpalatika
4
Takka
15
Takka
3
Tilakkamod
27
Nalinakanti
3
Tilang
28
Tilang-36 Vedanda Gamana
9
Varati
52
Patalambari, Hamsanandi
9
Vibhavari
2
Revati
1
Vyjayanthi
59
Varata
1
Yamakalyan
65
Yamuna Kalyani

The names of the films are written in italics beside the songs. Please email the names of the films Thaat are not listed below. You will notice Thaat most of the following songs are from old hindi films. It is a same Thaat today's music directors rarely base their music on our classical music heritage. Please note Thaat in some songs, there may be slight deviations from the pure form of the Raaga.

Raaga: Abhogi KanadaJiya lage kya karu sajna Na jaiyo re sautan ghar sainya

Raaga: AdanaManmohan man men ho tumhi - Kaise Kahoon Jhanak jhanak payal baje - Jhanak Jhanak Payel BajeRadhike toone bansari choorayee - Bhai Bhai

Raaga: Ahir BhairavPuchho na kaise maine rain bitai - Meri Surat Teri AankhenVandana karo, archana karo Ramka gun gaan kariye - Ram Shyam Gun Gaan (Anon film album)Meri bina tum bin roye - Dekh Kabir Roya Main to kabse teri sharan men hun - Ram NagariZindagi ko sanvarana hoga - AlaapSola barasaki bali umarko salam - Ek Duje Ke LiyeMai ri mai, kaise jiyun ri - Chala Vahi Desh(non film album) ????Apne jeevan ki uljhan ko - Uljhan Man Anand Anand Chhayo - VijetaWaqt karta jo wafa aap hamare hote - Dilne PukaraRam teri ganga maili ho gayi... - Ram Teri Ganga MailiDhire Dhire Subah Hui He Jag Uthi JindagiMeri galiyonse logonki yari badh gai - DharmatmaChalo man jayen ghar apne - Swami VivekanandaAlbela sajan aayo re - Hum Dil De Chuke Sanam

Raaga: (Alaiya) BilawalJana gana mana - National AnthemBhor ayi, gaya andhiyara - BawarchiSare ke sare ga ma ko lekar gate chale - ParichayRaaga: AsavariMujhe galese lagalo bahut udas hun main - Aaj aur KaalPiya te kaha - Toofan aur DiyaChale jana nahin naina milake - Badi BahenRaaga: BageshriJag dard-e-ishq jag - Anarkali Radha na bole na bole - AzadBedardi dagabaz ja tu nahin balma mora - Bluff MasterBedardi hua balmaJa re, beiman tujhe jan liya Divane tum, divane hum Shubh ghadi ai re Chah barbad karegi - Shah JahanJao jao nand ke lala - RangoliChhalak rahi bundenAja re, paradesi - MadhumatiGhadi Ghadi mera dil dhadke - MadhumatiHamse aya na gaya - Dekh Kabir RoyaPoochhta jaa mere marghatse guzarne waley - A Ghazal by Gulam AliChaman men rang-e-bahar utara to maine dekha - A Ghazal by Gulam Ali

Raaga: BaharRe re bahar ayi Chham chham nachat ayi bahar - ChhayaSakal bana gagan chalat puravai - MamtaRaaga: Bairagi Kisi nazar ko tera intazar aja bhi hai - AitbaarMein ek raja hun -

UpahaarRaaga: BarawaKhai hai re humne kasam - Talash Raaga: Basant Ketaki, gulab, juhi
champaka bana phule - Basant Bahar Raaga: Basant-BaharManki bin matavari baje -

ShabaabRaaga: BibhashSanjh dhale gagan tale hum kitane ekaki - UtsavNeelam ke nabh chhayi - UtsavRaaga: BhairavMohe bhul gaye sanvariya - Baiju BawraSitaronki mahafil Sun ri pavan, pavan puravaiya - Anuraag Jaago, Mohan pyare jaago - Jaagte Raho

Raaga: BhairaviBabul mora, naihar chhooto hi jaaye - Street Singer Sajna, sajna kahe bhul gaye din pyar ke - Chand Mere Aja Insaf ka mandir hai, yeh bhagavan ka ghar hai - Amar Kaise jaun jamunake tir - DevtaLaga, chunari men dag - Dil Hi To HaiJyotse jyot jagate chalo - Sant GyaneshwarJo bhaje hari ko sada - BhajanTu gangaki mauj - Baiju BawraNas nas men agan Jab dil hi tut gaya - ShahjehanAi diwali, ai diwali - RattanTumhare sang main bhi chalungi Do hansonka joda bichhad gayo re - Ganga Jamuna Mere pas ao, nazar to milao Mai to pyarse teri piya mang sajaungi Barasat men, hamse mile tum - Barsaat (old)Dost dost na raha - SangamBol radha bol sangam hoga ke nahin - SangamMera juta hai japani - Shri 420Ramiya vasta vaiya - Shri 420Mohabbatki dastan Suno chhotisi gudiya ki lambi kahani - Seema Khamosh hai khevanahara mera - AmarMori chham chham baje payeliya Mere ai dil bata - Jhanak Jhanak Payel BajeSanvare sanvare - Anuradha (Composed by Ravi Shankar) Nache man mora magan dhik dha dhigi dhigi - Meri Surat Teri AankhenApki yaad ati rahi, ratbhar - GamanYaha barakha sautaniya ke dvar Tera jana - AnadiTute na dil Tute na - Andaaz (Old)Ai mere dil kahin aur chal - Daag Mile sur tera hamara - Doordarshan SangeetKaise samjhaun bade nasamajh ho - Sooraj Chali gori pi ke milan ko chali Bhor bhaye panghatpe - Satyam Shivam Sundaram Jare, jare ud ja re panchhi - MaayaDilka khilona haye tut gaya - Goonj Uthi Jay bolo beiman ki - Beiman Tumhe aur kya dun main dil ke sivay - Ayee Milan ki BelaLage tose naina lage Mein piya teri - Basant BaharMithe bol bole - KinaraMitwa re mitwa purab na jaio - JawabHeer ( doli chadhke heer) - Heer Ranjha (old)Phir kisi raah guzar par shayad - A Ghazal by Jagjit SinghMeri tanhaiyon tum hi lagalo mujhko sinese - A Ghazal by Jagjit SinghYeh dil yeh paagal dil mera (awaargi) - A Ghazal by Gulam AliBeshaq mandir masjid todo - BobbyBhari duniya men akhir dil ko samajhane kahan jaayen - Do Badan Hato kaheko juthi banao batiyaan - ManzilMata saraswati sharda vidya dayi dayani - BhajanSunai deti hai jiski dhadkan (Zihaal-e-muskeen) - GulamiJiya jale jaan jale nainon tale - Dil Se...Baaki kuchh bacha to menhagai maar gayi - Roti Kapda aur MakaanPhool gendava na maaro - Dooj Ka ChaandDhanya bhag seva ka avsar paaya - Sur SangamKabhi neki bhi uske ji men gar aa jaye hai mujhse - A Ghazal by Gulam AliMukund Madhav hari Hari bol Mile jo kadi kadi, ek zanjeer bane - Kasme WadeHame tumse pyar kitana - Kudarat

Raaga: BhatiyarEk ritu aye ek ritu jaye Raaga: BhimpalashriManbhora hua matavalaDuniyase ji ghabra gayaEri main to premdivani - Navbahar Bansuri bajaye koiMaine chand aur sitaronki - ChandrakantaaYe na thi hamri kismat - Mirza GhalibMein garibonka dil hun vatanki zubanO nirdayi pritam - Stree (1961)Bhulya na gayaDilke tukade hue aur jigar lut gayaMore manka bavara panchhiTum suno suno ghanashyamDilmen tuze bithake puja karungi teri - Fakira Nainonmen badra chhaye - Mera SaayaTere sadpe balmaBina madhur madhur kachhu bol Jhanakar payalaki tose binati kare - Naag DevataKahan chali a, mera lutake jiya Ja dur kahinHam giridharake ghar jaun - Meera BhajanSamay dire chalo - RudaaliZindagimen to sabhi pyar kiya karte hai - A Ghazal by Mehdi HassanOm nao Bhagavate Vasudevay - A bhajan by Pandit JasraKismat Se Tum Ham Ko Mile Ho - PukarAe Ajnabi Tu Bhii Kahiin Aawaz De Kahiin Se - Dil Se...Khiltey Hain Gul Yaha - SharmileeO beqarar dil - KhamoshiKuch dil ne kaha - AnupamaTum mile dil khile - CriminalNaghma-o-sher ki saughaat - GhazalYeh aaine se akele men guftagu kya hai - A ghazal from Hariharan's album 'Kaash' Hai chaand sitaaron men chamak tere badan ki - A ghazal by Ahmed Hussain -mohmad Hussain

Raaga: BhupaliChanda hai tu, mera suraj hai tu - AradhanaSayonara, sayonara - Love in TokyoPankh hote to ud ati re - SehraaJyoti kalash chhalake - Bhabhi Ki ChudiyanJab nil gagan ki chhaonmen - AmrapaliAchyutam keshavam ram narayanam Panchhi banu udti firun mast gagan men - Chori ChoriSanvare rang rachi - Meera BhajanDekha ek khvab to yeh silsile hue - SilsilaIn ankhonki mastike mastane hazaron hai - Umrao JaanMana ke musht-e-khak se badhkar nahin hun main - A Ghazal by Jagjit SinghJaun tore charan kamal par vari - Sur SangamYeh hava...yeh phiza...aa bhi jaa - Gumraah Jyoti kalash chhalkeOm namah shivay - BhairaviDil hun hun kare - RudaaliSansaarki har shay ka - DhoondHe Govind, He Gopal, He Dayaal Lal - Bhajan by Jagjeet SinghHam tum hase na kuchh kah paaye, tum ham se na kuchh kah paaaye - Ziddi

Raaga: Bhupali TodiO, zindagi ke denevale - NaginRaaga: BihagKoi gata, main so jata - AlaapBanke chakori gori, jhum jhum nachegi Tere sur aur mere geet - Goonj Uthi ShahanaiTere pyar men dildar - Mere MehboobBole re surili boliyan - Grih Pravesh Tum murli madhur bajaoAi dil beqarar jhum - Shah JahanHamare dilse na jana, dhokha na khana - Udan Khatola Chalenge tir jab dil par - KohinoorZindagi ke safar men gujar jate hain jo makam - Aap Ki KasamPal bhar ki pahechan aapse - A non-film song by Manna DayYeh kya jagah hai doston - Umrao JaanMeri ladli re, meri ladli - Andaaz(old)

Raaga: Bilaskhani TodiJhoothay naina bolay - Lekin Diya na bujhegi, aaj hamara

Raaga: Basant MukhariO basanti pavan pagal - Jis Desh Me Ganga Behti HaiVada kar le sajna - Haathki Safai Raaga: ChandrakaushTu hi tu main seva karu San sanna sanna sanna, jao re o pavan Majhi re himmat na har Raaga: ChayanatChanda re, ja re ja re - Ziddi Ham bekhudi men tumko pukare chale gaye - Kaala PaaniTere naina talash kare jise - TalaashBaad muddat ki yeh ghadi ayi - Jahan AraChaina nahin aye, kahan dil jaye - Samundar Zan Zan Zan Zan payal baje

Raaga: CharukeshiBainya na dharo - Dastak (old)Aaj dilpe koi jor chalta nahin - MilanKabhi raat din hum dur the - Aamne SaamneMohabbatke suhane din, javani ki hansi raatenEk tu na mila - Himalay ki Godmen Akele hain chale ao - RaazBekhudimen sanam Kisi rahamen kisi modpar - Mere Hamsafar Dukh ki laharne cheda hoga - A Ghazal by Ghulam AliShyam teri bansi pukare radha naam - Geet Gata ChalChhod de sari duniya kisike liye - Saraswati ChandraMegha re Megha re... - Pyaasa SaawanAisa lagta hai zindagi tum ho - A Ghazal by Chitra SinghTeri ummid tera intzaar karte hai - DiwanaaJaan-e-jaana...Jab jab teri surat dekhun - JaanBaaz

Raaga: DarvariYe Hawaa Ye Raat Ye Chaandni - Sangdil

Raaga: Darvari KanadaDil jalta hai to jalne de - Pahli NazarHum tumse muhabbat karake sanam - AawaraO duniyake rakhavale - Baiju BawraMeri duniya badal gayiKabhi dil dilse takarata to hogaTumse ghar ghar kahalaya Mitava laut ayo reTu pyarka sagar hai - Seema Tuthe hue khvabonne - MadhumatiBasti basti parabat parabat - BaadalMujhe tumse kuch bhi na chahie - KanhaiyaMuhabbat ki jhuthi kahani pe roye - Mugal-e-azamHe ram tumhari ramyan - Sampurna Ramayan Pyarki aagmen tanbadan - ZiddiTora man darpan kahalay - KaajalDaiya re daiya laj mohe lage - LeaderGuzre hai aaj ishqmen - Dil Diya Dard LiyaRaha gardishonmen haradam - Do Badan Jhanak jhanak tori baje payeliya - Mere HuzurChandiki divar na todi - VishvaasAb kahan jayen ham - UjalaSarfaroshi ki tammana shaheedE dil mujhe aisi jagah le chal - Arzoo (old)Hum tujh se muhabbat kar ke - AwaraTeri duniya mein dil lagta nahin - Baware NainMere mehboob shayad aaj kuchh - Kitne Paas Kitne DoorMujhe tum se kuchh bhi na - KanahiyaGhoonghat ke pat khol re - JauganDekha hai pehli baar - Saajan Tumhe zindagi ke ujale mubarak - PoornimaIshwar satya hai - Satyam Shivam SundaramKitna hasin hai mausam - AzadHum tum se juda ho ke - Ek Sapera Ek LuteraAb meri vinti suno bhagwaan Aap ki nazaron ne samajha - AnpadhHangama hai kyon barpa - A Ghazal by Ghulam AliUd ja bhanwar maya kamal ka - Rani RoopmatiKoi matwala ayaa more dware - Love In TokyoPag ghoongroo bandh meera naachi thi - Namak HalalYaad mein teri jaag jaag ke hum - Mere Mehboob Agar mujhse muhobbat hai, mujhe sab apne gam de doDene wale mujhe maujon ki rawani de de - A Ghazal By Jagjit SinghMein tere darpe ayaa hun, kuchh karke jaunga - Laila MajnuSanvare mat ja Nainheenko raah dikha prabhu - Bhakta SurdaasSuhani chaandni raaten hamen sone nahi deti - MuktiMere mehboob na jaa, aaj ki raat na jaa - Noor MahalShayerana se hai zindagi ke adaa - Phir Teri Kahani Yaad Aye Jay Radha madhav Jai kunjbihari - Bhajan by Jagjit Singh

Raaga: DeshDukhke din ab bitat nahiGori tore naina kajar bin kare kare - Main Suhagan Hun Apko pyar chupaneki buri adat hai - Neela Akash Takdir ka fasaana - SehraEri ayi barakha rituChali re chali re mai to des parayeAji ruthhkar ab kahan jaiega - AarzuVande mataramh - Anand MathPhir kahin koi phul khila - AnubhavBekasi hadse jab guzar jaye - KalpanaChadariya jhini re jhini - A Kabir bhajan by Anup JalotaDoor Koi Gaaye - Baiju Bawra Kyun Naye Lag Rahe - 1942, A Love StorySainya jao mose na bolo kahe ko neha lagaye - Jhanak Jhanak Paayal Baaje

Raaga: DesiAaj gaavat man mero jhumke - Baiju Bawra

Raaga: Devagandhar Jhule na jhul Jab dilko satae gamRaaga: DurgaGeet gaya pattharonne - Geet Gaya PattharonneChanda re mori patiya le ja - Miss MaryRaaga: DhaniPrabhu tero nam jo gae phal - Hum DonoRaaga: GaraMohe panghatpe nandalal ched gayo re - Mugal e Azam Unke khayal aye to ate chale gaye - Laal PathharTere mere sapne ab ek rang hain - GuideJivanmen piya tera sath rahe - Gunj Uthi ShehnaiRaghupati raghav raja ram - BhajanThumak chalat ram chandra - BhajanAise to na dekho - Teen DeviyanHamsafar saath apna chhod chaleDiwana kahke aaj mujhe phir pukariye - Muzlim Kabhi khud pe kabhi haalaath pe ronaa aayaa - Hum Dono

Raaga: Gour MalharGarajat barsat savan ayo re - Barsaat Ki Raat (old)Sharabi sharabi ye savanka mausamJhir jhir barase savani ratiyan - Ashirvad

Raaga: Gour SarangAllah tero naam - Hum DonoRaaga: Gurjari TodiSanvaro nand-nandana - Chala Vahi Desh (A non film album)Ek tha bachapan - AashirwadJaa-jaa re ai pathikwa - Lekin

Raaga: Hamir/HamvirSurki gati main kya janunMadhuban men radhika nache re - Kohinoor

Raaga: Hamir/Hamvir KalyaniJao Re Jogi Tum Jao Re - AmrapaliRaaga: HangshadhwaniJa tose nahin bolun kanhaiya - Parivaar Ranga de de madhubanaki hiraniyaSanto karamki gati nyari - Chala Vahi Desh (album)Raaga: HemantSudh bisar gai ajaYad piyaki aye - A Thumri by Ustaad Bade Ghulam Ali KhanBalma anadi man bhaye - Bahurani Tumbin jeevan kaise - by Manna DeyUdajare ja re kaga - Meera bhajan by Lata Mangeshkar

Raaga: Jaijaiwanti Manmohana bade jhuthe - SeemaBairan ho gai raina - Dekh Kabir Roya Zindagi aaj mere namse sharamati haiYeh dilki lagi kam kya hogi - Mugal e AzamDost bankar bhi nahin saath nibhanevala - A Ghazal by Ghulam AliSuni suni saans kay sitaar par - Lal PattharThumak chalat Ramchandra, baajat paijaniya - Bhajan

Raaga: JhinjhotiBadli badli duniya hai meriChhup gaya koi re durase pukarake - ChampakaliMere maheboob tujhe meri muhabbatki qasam - Mere MehboobJaun kahan bata e dil - Chhoti Bahen Tum mujhe yun bhula na pao ge - Pagla Kahin KaTeri ankhoke siva duniyamen - ChiragMain to sare bandhan tod chaliGhungharuki taraha, bajtahi raha hun main - Chor Machaye ShorChita nandan aage nachungi Mose chal kiye jaye hai re hai hai dekho saiyan beiman - Guide Ja ja re ja, balmava - Basant BaharKoi hamdam na raha, koi sahara na raha - Jhumroo

Raaga: JogakaunsBaje re payela baje

Raaga: JogiyaHe natraja gangadhar shambhoPiya bina suna gitaRaatbharka hai maheman andhera - Sone Ki ChidiyaDil ek mandir hai - Dil Ek Mandir Keh Do Koi Na Kare Yahan Pyaar - Goonj Uthi Shehnaai

Raaga: JaunpuriMeri yadmen tum na ansu bahana - MadhoshVo duniyako yad rahega Dil ched koi aisa nagmaPiya te kahan gayoGhunghatke pat khol(Kabir Bhajan) - JoganMeri yad men tum na ansu bahana - MadhoshJaye to jayen kahan samjhe ga kaun yahan - Taxi DriverJaba dilko sataye gam tu uuu ched sakhi sargam - Sargam (Old)

Raaga: KafiKase kahun manki bataBalma aan baso more manmenIshqki garmie jajabta kise pesha karunKali ghodi dwar khadi - Chashm-e-Bud-DurTum nahin, gam nahin, sharab nahin - A Ghazal by Jagjit SinghGaironpe karam apnonpe sitam - AankhenBiraj me holi khelat nand lal - Godaan

Raaga: KalavatiHay re vo din kyun na aye - Anuradha Kahe tarasae jiyara - Chitralekha A ja re mere pyarke sahiKoi sagar dilko bahalata nahin - Dil Diya Dard LiyaKabhi to miloge jivansathiO ghath savari thodi thodi bavariSanam tu bevafake namse - KhilonaSubah aur sham kamhi kam - Uljhan Dil men aur to kya rakha hai - A Ghazal by Ghulam Ali Maika piya bulave - Sur SangamHai agar dushman jamana - Hum Kisise Kum NahinBhajan bina chain naa aye ram - Rafoochakkar

Raaga: KalyanDo naina matavale tihare - Choti BahanJanevalese mulakat na hone payi - AmarAnsu bhari hai ye jivanki rahe - ParvarishYe chaman hamra apna haiJiya le gayo ji mora savariya - AnpadhJa re badra bairi ja - BahanaChhodo chhodo chhodo mori bahiyaBhuli hui yadon - SanjogMausam hai ashikana - PakeezahInhi logone le lina dupatta mera - PakeezahKenu sang khelun hori - Chala vahi desh ( non filmi album)Jab dip jale ana - Chit ChorWoh sham kuchh ajib thi - Khamoshi (old)Chandansa badan chanchal chitavan - Saraswati ChandraRe man surmen gaJay jay he jagadambe mataJivan dor tumhi sang bandhi - Satyavaan SavitriApke anurodhpe main ye geet - AnurodhRanjish hi sahi, dil hi dukhane ke liye aa - A Ghazal by Mehdi HasanDil jo na kahe saka - Bhigi RaatShola hun bhadakne ki gujarish nahin karta - A Ghazal by Jagjit SinghSuni jo unke aane ki aahat - Satyam Shivam SundaramWoh haske mile humse - Baharen Phir Bhi AayegiBada dukh dina tere lakhanne - Ram LakhanYaad rahega, pyarka yeh rangin zamanaa yaad rahega - Umar QaidSochte aur jaagte sansonka ek dariyaa hun mein - A Ghazal by Gulam AliMeri duniyamen tum aaye - Heer RanjhaKoi jo mila tha mujhe "Breathless" - BreathlessMain kya janun kya jadu haiSinemen sulaghate hai arman - SangdilLagta nahin hai dil mera - Laal QuilaMan re tu kahe na dhir dhare - ChitralekhaPanv padun tore shyam - Tere bharose Nandalal (A non film Album)Dhadkate dilka payam le loPritam aan milo Saranga teri yaadmen - SaarangaPhir na kije meri gustakh...Dekhiye apne phir pyarse - Phir Subah HogiTum mujhe bhul bhi jao - DidiBade bhole hoNigahen milaneko ji chahata hai - Dil Hi To Hai Zindagi-bhar nahin bhulegi - Barsaat Ki Raat (old)Sansarse bhage phirte ho - ChitralekhaTum agar mujhko - Dil Hi To HaiTum bin jivan kaise bita - AnitaIntazaar aur abhiAbhi na jao chhodkar - Hum DonoAnsu samjhke kyun mujhe - ChhaayaChhupa lo yun dil men pyar mera - MamtaWoh jab yaad aye bahut yaad aye - ParasmaniTum gaganke chandrama - Sati SavitriJara si ahat hoti hai...kahin yeh woh to nahin - HaqueeqatDil e betabko sinese - PalakiDil diya dard liya - Dil Diya Dard LiyaTere huns ki kya tariph karun - LeaderBiti na bitai raina - ParichaySavereka suraj tumhare liye - Ek Baar Muskuraa DoAng ang rang jhalakae - Sankalp Is modse jate hai - AandhiEhasaan tera hoga mujhapar - JungleeRoj roj dalidali kya likh jaye - AngoorLau laga ke geet gaa ke - Bhabi Ki Chudiyan Shreeramchandra kripalu bhajamanaSine men sulagte hain arman -- TaranaSaptasurana teen gram - TansenMere hamsafar mere hamsafar mere paas aa mere paas aa - RefugeeGhar se nikalte hi - Papa Kehte Hain.Pyar mein hota hai kya jadoo - Papa Kehte Hain.Aapke anurodh pe - AnurodhAaye ho meri zindagi me - Raja HindusthaaniSochenge tumhe pyaar kare ki nahi - Deewana

Raaga: KhamajAb kya misal dunVo na aenge palatkar - DevdaasA dilse dil mila le - NavrangChunariya katati jaeO sajna, barkha bahara ayi - ParakhDhal chuki shame Gam - Kohinoor Sham dhale jamuna kinare - Pushpanjali Ang ang dole meraAyo kahanse ghanashyam - Buddha Mil GayaBada natkhat hai...ka kare yashoda maiya - Amar Prem Khat likha de savariyake nam babuBata do sakhi kaun gali gayo shyamMere to giridharagopala - MeeraTere bina sajna lage na jiya hamar - AartiVaishnav jan to - Narsinh BhajanNazar lagi raja tore bungle par - Kaala PaniKuch to log kahenge - Amar Prem

Raaga: KamodEri jane na dungi - ChitralekhaJao re jogi tum jao re - AmrapaliTumko dekha to ye khayal aya - Saath SaathRaaga: KedarBekaspe karam kijie - Mugal e AzamDarashan do ghanashyamKanha ja jaMil ja mil ja janenaHamko manki shakti dena - GuddiBole to basuri kahi - Saawan Ko Aane Do Panchhi bawra chhand se prit lagayeAap yun hi agar humse milte rahe dekhiye ek din pyaar ho jaayega - Ek Musafir Ek Hasina Pal do pal ka saath hamara - The Burning Train Aapki ankhonmen kucch - GharUthaye ja unke sitam - Andaaz(old)r

Raaga: Kaushik KanadaSau bar janam lenge - Ustaadon Ke UstaadAb to madhava mohe ubarMai jajyo na prabhuko milna kabRaaga: KirwaniMera dil ye pukare a ja - NaginTumhi mere mit hoYad na jaye bite dinonki - Dil Ek MandirMeri bhigi-bhigisi palakonpe - AnamikaYe raten ye mausam nadika kinara - Delhi Ka ThugNind na mujhako ae - Post box No. 999 Pukarta chala hun main - Mere SanamGeet gata hun mai - Laal PathharMai pyarka rahi hun - Ek Musafir Ek HasinaAayi jhum jhum raat ye suhani - Love MarriageAnkhonse hai utari ye dilmen - Phir Wohi Dil Laaya HoonAnevala pal janevala hai - Gol MaalShola tha jal bujha hun - A Ghazal by Mehdi HassanBeqaraar dil tu gayeja - Dur Ka Raahi Ek radha ek meera - Ram Teri Ganga MailiPara para hua pairahan-e-jaan - A Ghazal by Gulam AliE hush-e-beparvah tujhe shabnam kahun, shola kahun - A Ghazal by Gulam AliBe-sabab baat badhaneki zaroorat kya hai - Ghazals from Jagjit Singh's album 'Face to Face' Mera dil yeh pukare aaja - Nagin (old)

Raaga: LalitPritam daras dikhao - Chacha ZindabadTu hai mera prem devta - KalpanaIk shahenshahne banvake hansi - LeaderKoi paas aya savere savere - A Ghazal by Jagjit SinghTu nahin to mere liye - Tum Yaad AayeRaina biti jaye - Amar Prem

Raaga: MadhuvantiRasme ulfatako nibhae to nibhae kaise - Dilki RahenKo birahini ko dukh jane - Chala Vahi DeshRaaga: Madhumadhavi SarangA lautke aja mere meet - Rani Roopmati

Raaga: Manj KhamajKaanha kanha aan padi re tere dwar - Aman Jane kaise sapano me kho gai ankhiyan - Anuradha Kaise dina bite kaise biti ratiyan piya jane na - Anuradha Raaga: MalkaunsMan tarapat hari darshanko - Baiju BawraAdha hai chandrama rat adhi - NavrangTu chhupi hai kahan - NavrangYe kahani hai diyeki aur tufanaki - Tufan aur Diya O pavanvegase udanevale ghode - Jai ChaittaurZindagibhara Gam judaika mujheAnkhiyana sang ankhiya lagi aaj - Bada Aadami Balma manenaPaga ghungharu bole chananana chanhSavanki rat kari kariMujhe na bula - Suvarna SundariAi man tere bachche kai karodaSaghan ban phulyo re - A bhajan by Pandit JasrajDip jalaye jo ggton ke maine - KalakaarAaye sur ke panchhi aaye - Sur SangamRaaga: MalagunjiNainaso nain nahi milo - Jhanak Jhanak Payel BaajeGhar a ja ghir aye badra - Chhote NawabUnko yeh shikayat hai - Adaalat (old)Na jiya lage na - Anand

Raaga: MandTu chanda main chandani - Reshma aur SheraKesariya Balma - Lekin Ab to hai tumse har khushi apni - AbhimaanPiya piya bole mora kangana - Swarg NarkBachpan ki mohabbat ko - Baiju BaawaraJo me jaanthi bisarat - ShabaabDheemo re chale re vaayariyo - Sultan Khan / Chitra's album Piya Basanti

Raaga: Maru BihagPayelavali dekha naTum to pyar ho sajna - Sehra Matavali nar thumak thumakRadha jaye naJamunaa kinare aaja chaliya pukare aaja raadha jaye naa - Mehbooba

Raaga: MarwaPayeliya bavari - Saaz aur Aawaz Raaga: Megh MalharGhata ghana ghora ghora - TansenGhanana ghanana ghana barasoDukhabhare din bite re bhaiya - Mother IndiaKare kare badraTan rangalo ji aaj man ranga lo baraso re - Tansen

Raaga: MeghMahefil men baar baar kisi par nazar gai - A Ghazal by Gulam Ali.Konpalen phir fut ayi - A Ghazal by Mehdi HassanKahan se aye badra - Chashm-e-Bud-Dur

Raaga: Miyan Ki MalharKaro sab nichhavarNach mere mora jara nachBhaye Bhanjana...darasa tere mange main tera pujari - Basant BaharNacha re mayuraMammadshaha rangileBole re papihara - GuddiEk bas tu hi nain - A Ghazal by Mehdi HassanBaadal umad bhar aaye - Saaz

Raaga: Miya ki TodiBhini bhini bhor aayi - Asha Bhosle's Album 'Dil Padosi Hai'Jhoothey Naina Bole - LekinRaaga: Mohanam (Carnatic)Jyoti Kalas Jalke - Bhabhi Ki ChudiyaanRaaga: MultaniDaya karo e giridhar-gopala Raaga: Nand/Anadi KalyanTu jahan jahan chalega - Mera SayaRaaga: Naya ki KanadaChala diye deke gamRaaga: PahadiSunri sakhi mohe sajna bulae - NaginJavan hai muhabbat- Anmol GhadiTere nainonne chori kiya - Anmal GhadiMere ankhomen bas gaya koi re - Barsaat (old)Suhani rat dhal chuki - DulariO durke musaphir hamko bhi sath le le - Udan KhatolaTasvir banata hun tasvir nahin banati - BaradariSun more sajnaMushkil hai bahut mushkil - MahalSajan ki galiyan chod chale - Baazar Mohe jana hai pike nagariyaMori atariyape kagan boleHai balma teri kasamAajki rat piya dil na todoPrit ye kaisi bol duniya - Daag(old)Mora nadan balmaGaya andhera hua ujala - Subah Ka Tara Sham dhale khidaki tale - AlbalaAre ja re hato natakhat - NavrangTum mere mai teriSare jahanse achcha - Apna GharChal ud ja re panchi - BhabhiTum ho jo mere hamsapharVrindavanka krishna kanhaiya - Miss MaryTasvir banata hun teri khuna jigaraseDo sitaronka jamin par hai milan - KohinoorKoi pyaraki dekhe jadugari - KohinoorDil todanevaleApna bhi koi sathi hotaTere bharose he nandalala - Title song - non film AlbumJo vada kiya vo - Taj MahalJane kya dhundti rahati hainTum apna ranj o gam, apni pareshani mujhe de doParbatonke pedon para shamka baseraSavanke jhule pade - JurmanaNainka chain churakar le gayi - ChandramukhiSakhi ri mera man umade tana dole - NaginHam aaj dil jalaeDo dil dhadak rahen hain aur avaj eka haiVo dil kahanse launAaja raja leke barat aajaSab kuchh lutake hoshamen ae roChaudavika chand ho - Chaudavika ChandYe vadiyan phijae bula rahi - Aaj aur KalTujhko pukare mera pyar - Neel KamalMujhe tumse muhabbat hai magarJara sun hasina ye sajniAja re tujhko mera pyar pukare - WaqtDin hai baharke tere mere - WaqtKaun aya hai nigahonmen chamak jag uthi - WaqtHam jab simatake aapki bahonmen - WaqtMaine dekha hai phulonse ladi shakhonmenAge bhi jane na tu - WaqtNile parabtonki dhara - Aadmi aur InsaanYara dildara mera dil kahata - Aadmi aur Insaan Salamat rahoAwaz mein na dunga...chahunga main tujhe sanjh savere - Dosti Janevalo jara mudke dekho mujhe - DostiGudiya hamse ruthi rahogi - DostiLag ja gale ke phir ye hansi rat - Woh kaun thi? Baharonki manjhil raheRahe na rahe ham maheka karenge - MamtaThukade hai mere dilkeHamne to dilko apke kadmonpeUsko nahin dekha hamne kabhi - Dadi MaaSavanka mahina pavan kare sor - MilanAajki rat mere dilki salami - Raam Aur ShyamRatka samne jhume chandramaVahan kaun hai tera musaphir - GuideDil pukare a re a re - Jewel ThiefRulake gaya sapna mera - Jewel ThiefPhulonke rangse - Prem PujariJane na balma pritaki kasamTora man bada papi sanvariya re - Ganga Jamuna Baharon mera jivan bhi sanvaro - Aakhiri KhatDo dil tute do dil hare - Heer Ranjha (old)Chalo dildar chalo - PakeezahYe dil aur unki - Prem ParbatAaja re, aaja re o mere dilvar aaja - NooriKabhi kabhi mere dilmen - Kabhi KabhiKaravate badlate rahe sari raat ham - Aap ki KasamChori chori koi ae - NooriSainya bina ghar suna - Lahu Ke Do RangDilmen ek lahar si uthi hai abhi" - A Gulam Ali Ghazal Kahe sataye kaheko rulaye - Quyamat Se Quyamat TakHushn pahadonka - Ram Teri Ganga MailiKaise jiyunga main agar tu na mili - Sahibaan Tod diya dil mera tune ai bewafa - Dulari Isharon isharon mein dil lenewale - Kashmir Ki Kali Neela aasman so gayaa - SilsilaAapko dekhke baadalko pasinaa aa gayaa - Hum Aapke Dilmen Rahte HaiBaharon Mera Jivan SavaronPayo ji maine Ram ratan dhan payo Sab kuch lutake hosh men aaye to kya kiya - Ek saalMeri ankhon me basagaya koi re mohe ninda aye - Barsaat (old)

Raaga: PalasiHamari yad aegiGori tera gaanv bada pyara - Chit ChorHamari yad aayegi, kabhi tanhaiyon men -- Hamari Yaad AaegiRaaga: PatdeepSaaz ho tum awaz hun main - Saaz aur AwazMegha chhaye adhi rat - SharmileeRaaga: PiluAjahun na aye balma - Sanjh Aur Savera Jhulemen pavanki ayi bahar - Baiju BawraMore sainya ji utarenge paar nadiya dhire baho - Uran KhatolaChandanka palna reshamki dori - ShababDheere se aaja ri akhiyan mein nindiya - AlbelaApni kaho kuchh meri suno...Kya dilka lagana bhul gayeNaina divani kuchh nahin maneBadi der bhai kab loge khabarAbke baras biteNa manu na manu...dagabjaaz tori batiya na manu re - Ganga JamunaHai Hai rasiya tu bada bedardiSainya tore dvare khadeVapha jinse ki bevapha ho gaeNa jhatako julphse paniE meri joharajabi - WaqtBanwari Re Jeene Ka Sahara - Ek Phool Char KanteJaiye aap kahan jayenge - Mere SanamDhoondho dhoondho re saajna - Ganga JamunaAllah megh de pani de - GuideKali ghata chhaye mora jiya ghabraye - SujataPiya piya na lage mora jiya Main soya akhian meeche Kabhi aar kabhi paar - Aar PaarTere bin soone nayan hamare - Meri Soorat Teri AankheinPi ke ghar aaj pyari dulhaniya chali babul - Mother IndiaVikal mora manva - MamtaMaine shayad tumhe pahle - Barsaat Ki Raat (old)Nadiya kinare harayee aayee kangna - AbhimanAb ke baras bhejo bhaiya ko babul - BandiniBaharon ne mera chaman loot kar - DevarKaun gali gaye shyam - PakeezahTu jo mere sur men - ChitchorNa jao saiyan chhuda ke baiyan - Sahib Biwi Aur GhulamDin sara guzara tore angana - JungleeDhadakate dil ki tamanna - ShamaSur na saje - Basant BaharChura liya hai tumne jo dil ko - Yaadon Ki BaraatDe de pyar de - SharabiSach kehti hai duniya - Ishq Pe Jor NahinMaine rang li aaj chunariya sajana tore rang me - Dulhan Ek Raat Ki Mainu ishq lag gaya rog - Dil Hai Ke Maanta NahinSurmayi akhiyonmen nanha munna ek sapna de jaa re - SadmaApni kaho kuch meri suno - ParchhainMurali bairan bhayi re kanhaiya tori - New DilliAjahun na aye balama - Sawan Beeta JayeChaahat des se aane waale yeh to bataa ke sanam kaise hain - A ghazal by Pankaj Udhas

Raaga: Puria DhaneshriRuk jao banavasi ram - Sampurna Ramayan Tori jay jay karatara Koyaliya ud ja yahan nahi koyaMeri sanson ko jo mehaka rahi hai - Badalte RishteyTumne kya kya kiya hai hamare liye - Prem GeetRang aur nur ki baraat kise pesh karun - GhazalKitane dino ke baad ye aai sajana rat milan kiRut aa gayi re, rut chha gayi re - 1947-EarthHai rama yeh kya hua - Rangeela Labon se chumlo, aankhon se thaamlo mujh ko - Astha

Raaga: RageshriMuhabbat aisi dhadkan hai - AnarkaliShubhadina ayo rajadularaMere sang ga gunguna - JanwarKaun aya mere manke dvare - Dekh Kabir RoyaMitava bole mithe bain - ParichayRaaga: SarangSavan aye ya na aye - Dil Diya Dard LiyaAja bhanvara suni dagarAa laut ke aaja mere meet - Rani RoopmatiDair-o-harammen basne waalon - Ghazal from Jagjit Singh's album 'Face to Face' Saawan rut aaye dekho balam - Sultan Khan / Chitra's album Piya Basanti

Raaga: Sudh KalyanRasik balma - Chori ChoriYe shamki tanahaiyan Chand phir nikala - Paying GuestMeri muhabbat javan rahegi - Jaanvar Jahaan daal daal par sone ki cheediyaan - Sikandar-e-Azam Raaga: Sudh SarangO savare aja pyar liyeRaaga: ShankaraRumajhuma rumajhuma chala tihari - TansenBolo bolo kanha bolo chaliya - ChaliyaRaaga: ShivranjaniTod diya dil meraAavaz deke hamem tum bulao - Professor Baharon phul barsao - SurajJane kahan gaye woh din - Mera Naam JokerSansar hai ek nadiya - RaftaarLaj rakho giridhari Khabar meri naa lini re bahut din bite - Sant GyaneshwarRimjhimke geet savan gaye - AnjaanaMere naina savan bhado - MaheboobaBanake kyun bigada re - ZanjeerNa kisiki ankhka nur hunO mere sanam - SangamKai sadiyonse kai janmonseDilke jharokhemen tujhko bithakar - BramhachariJo bhi dukh yaad na tha, yaad aya - A Ghazal by Ghulam AliTere mere bichmen - Ek Duje ke liyeSaajan a jaoLage na mora jiya, sajna nahin aye haye Kahin deep jale kahin dil - Bees Saal Baad Tumhe dekhti hun to lagta hai aise - Tumhare LiyeChuma chuma...Mujhko banale priyatama - Pataal BhairaviYaad teri aayegi - Ek Jaan Hai HumMaji re...Na jaiyo Pardes - KarmaTumse milkar, na jane kyun, aur bhi kuchh yaad aata hai - Pyar Jhukta NahinBheega bheega mausam aaya, barse ghata ghanghor - BhayanakMujhe Kuch Kahna Hai - Mujhe Kuch Kahna Hai

Raaga: Sindh BhairaviAjahun na aye balma - Sanjh Aur SaveraMehendi lagi mere hathmeSakiya aaj mujhe nind nahiChhod gaye balam - Barsaat (old)

Raaga: SohiniKuhu kuhu bole koyaliya - Swarna SundariJhumati chali hava - Sangeet Samrat TansenJivan jyot jalePrem jogan ban jaKanha re kanhaRaaga: Sur MalharDar lage garaje badariya - Ram RajyaRaaga: TilangSajna sang kahe neha lagae - Main Nashe Me Hun Itna to yaad hai mujhe - Mehboob ki Mehndi Yahi arman lekar aaj apne - ShababMeri kahani bhulnevale - DeedarMujhe e jindagi divana kar deChhup gaye tare nazare - Do Raaste Lagan tose lagi balma - Dekh Kabir RoyaChoota sa baalama ankhiyan neend udaye le gayo - Raagini

Raaga: Tilak KamodJalta rahata din rainaTumhare bin ji na lage gharmen - Bhumika Raaga: TodiInsan bano - Baiju Bawra Mai to ek khvab hun - Himalaya Ki God MeJago re jago prabhat ayaKhuda e baratara teri jaminpar - Taj MahalTori Jai Jai Kartaar - Baiju BawraJagmen sunder hai do naam, chahe krishna kaho ya ram - Abhajan by Anup JalotaDuniya na bhaye mohe, ab to bulale - Basant Bahar

Raaga: Vrindavani Sarang Zutimuti batiya avan kahe - Rudali

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Saturday, October 18, 2008

Shaggy - It Wasn't Me Lyrics

(feat. Ricardo Ducent)
(Yo', man) Yo'
(Open up, man) What do you want, man?
(My girl just caught me) You let her catch you?
(I don't know how I let this happen) With who?
(The girl next door, you know) Man
(I don't know what to do) Say it wasn't you
(Alright)

Honey came in and she caught me red-handed
Creeping with the girl next door
Picture this, now we were both caught making
love on the bathroom floor
How could I forget that I had
Given her an extra key
All this time she was standing there
She never took her eyes off me

How you can grant the woman access to your villa
Trespasser and a witness while you cling to your pillow
You better watch your back before she turn into a killer
Best for you and the situation not to call the beaner
To be a true player you have to know how to play
If she say you're not, convince her say you're gay
Never admit to a word when she say makes a claim
And you tell her baby no way

But she caught me on the counter (It wasn't me)
Saw me kissing on the sofa (It wasn't me)
I even had her in the shower (It wasn't me)
She even caught me on camera (It wasn't me)

She saw the marks on my shoulder (It wasn't me)
Heard the words that I told her (It wasn't me)
Heard the scream get louder (It wasn't me)
She said our dealy was over

Honey came in and she caught me red-handed
Creeping with the girl next door
Picture this, we were making
Love on the bathroom floor

I had tried to keep her
From what she was about to see
Why should she believe me
When I told her it wasn't me

Make sure she knows it's not you and lead her on da right prefix

Whenever you should see her make da giggolo flex
As funny as it be by you, it not that complex
Seein is believin so you better change your specs
You know she not gonna be worrying bout things from the past
Hardly recollecting and then she'll go to noontime mass
Wait for your answer: go over there
But if she pack a gun you know you better run fast
But she caught me on the counter (It wasn't me)
Saw me kissing on the sofa (It wasn't me)
I even had her in the shower (It wasn't me)
She even caught me on camera (It wasn't me)

She saw the marks on my shoulder (It wasn't me)
Heard the words that I told her (It wasn't me)
Heard the scream get louder (It wasn't me)
She said our dealy was over

Honey came in and she caught me red-handed
Creeping with the girl next door
Picture this, we were both caught making
Love on the bathroom floor

How could I forget that I had
Given her an extra key
All this time she was standing there
She never took her eyes off me

Gonna tell her that I'm sorry
For the pain that I've caused
I've been listenin to your reasonin
It makes no sense at all
We should tell her that I'm sorry
For the pain that I've caused
You may think that you're a player
But you're completely lost
That's why I sing

Honey came in and she caught me red-handed
Creeping with the girl next door
Picture this, we were caught making
Love on the bathroom floor

How could I forget that I had
Given her an extra key
All this time she was standing there
She never took her eyes off me

*********

Shaggy - Angel Lyrics

*********

Shaggy - Angel Lyrics

Shooby dooby dooby doo woi
Shooby doo
Oh
Shooby doo dooby doo boi oi
Yeah, ah

Girl, you're my angel, you're my darling angel
Closer than my peeps you are to me, baby
Shorty, you're my angel, you're my darling angel
Girl, you're my friend when I'm in need, lady

Life is one big party when you're still young
But who's gonna have your back when it's all done
It's all good when you're little, you have pure fun
Can't be a fool, son, what about the long run
Looking back Shorty always mention
Said me not giving her much attention
She was there through my incarceration
I wanna show the nation my appreciation

Girl, you're my angel, you're my darling angel
Closer than my peeps you are to me, baby
Shorty, you're my angel, you're my darling angel
Girl, you're my friend when I'm in need, lady

You're a queen and so you should be treated
Though you never get the lovin' that you needed
Could have left, but I called and you heeded
Begged and I pleaded, mission completed
Mama said that I and I dissed the program
Not the type to mess around with her emotion
But the feeling that I have for you is so strong
Been together so long and this could never be wrong

Girl, you're my angel, you're my darling angel
Closer than my peeps you are to me, baby

Shorty, you're my angel, you're my darling angel
Girl, you're my friend when I'm in need, lady

Uh, uh
Girl, in spite of my behavior, said I'm your savior
(You must be sent from up above)
And you appear to me so tender, say girl I surrender
(Thanks for giving me your love)

Girl, in spite of my behavior, well, you are my savior
(You must be sent from up above)
And you appear to me so tender, well, girl I surrender
(Said thanks for giving me your love)

Now life is one big party when you're still young
And who's gonna have your back when it's all done
It's all good when you're little, you have pure fun
Can't be a fool, son, what about the long run
Looking back Shorty always mention
Said me not giving her much attention
She was there through my incarceration
I wanna show the nation my appreciation

Girl, you're my angel, you're my darling angel
Closer than my peeps you are to me, baby
Shorty, you're my angel, you're my darling angel
Girl, you're my friend when I'm in need, lady

Girl, you're my angel, you're my darling angel
Closer than my peeps you are to me, baby
Shorty, you're my angel, you're my darling angel
Girl, you're my friend when I'm in need, lady

Monday, October 6, 2008

RAgA-RAsA

The relation b/wn
‘RAGA’ and ‘RASA’


There’s a special meaning to a word ‘rasa’ in classical vocal as well as instrumental music. The different ragas point outs the specific ‘rasa’. The different rasa’s like shrungara, karuna, veera, bhakthi... which specifies the particular ragas will help to know the layers of music.
What actually the meaning of ‘RASA’ in music world?
According to Bharatha, in his classical dance there are nine different kinds of RASA. There are..,
Ø Veera rasa
Ø Karuna rasa
Ø Adbhuta rasa
Ø Hasya rasa
Ø Shrungara rasa
Ø Bhayanaka rasa
Ø Bheebhatsa rasa
Ø Roudra rasa
Ø Shanta rasa
There’s an opportunity to exhibit these nine rasas in different arts. It may b in lyrical, musical,dance,yakhagana, rangabhumi n in many more.
A musician can show clearly the taste of veera rasa, karuna rasa, bhakti rasa, shrungara rasa with his fusion experiments of music. In music the different ragas produce the particular rasa. For example adhna raga, Hindola ragas are suitable for veera rasa.

Karuna rasa:

The ragas like todi, gurjari todi, bilaskhani todi, jog raga,asavari ragas ‘ll produce the karuna rasa which feels sadness, poorness situations.
Roudra rasa:
This rasa ‘ll produce in the anger situations. It can be easily identified by different statues in dance.
Haasya rasa:
This rasa ‘ll produce in the humour situations Which can be seen usually in the rangabhumi.
Adbhuta rasa:
This rasa’ll podduced in the astonishing situations which is usually used in bharathanatyam with different statues. And this adbhuta rasa can also be produced by the Hindusthani music using different ragas with alankaras,tals says musicians.
Bhayanaka rasa:
It can b shown thro’ acting. we can identify bhayanaka rasa in yakshgana also.
Shanta rasa:
Some of very famous ragas like darabari kanada, bheemplasi, malkouns point outs this shanta rrasa.
Shrungara rasa:
Many ragas represents this shrungara rasa. Shrungara rasa is the main rasa in music. Some ragas like yaman, khamaj, kaphi, tilak kamod, basant, bahar ragas produse this shrungara rasa.
Bhebhatsa rasa:
This rasa ‘ll produced in the horror, avoiding situations. Some ragas like rageshree, marva ragas produce this bheebhtsa rasa.
Bhakti rasa:
Bhajanas with selected ragas produce the bhakthi rasa.Some ragas like bhyrav, purvi ragas produces this bhakthi rasa.
Some of karnatic classical ragas also represents some particular rasa. Some ragas like kamach, mohan represents shrungara rasa. similarly kaphi represents both hasya and shrungara rasa. Raga saveri- karuna rasa, shree and madhyamavati- bhakti rasa, athana and bhegade- veera rasa, respectively. The mela karta ragas namely kalyani and shankarabharana are suits for al nine rasas. Raga hamsadhvani represents the fusion of veera rasa and bhakti rasa.
Like this the actions-reactions by the situations appear in the human life is different which can be shown by the music with ragas. This clear us that the tight relation b/wn “RAGA” and “RASA”.

Tuesday, September 30, 2008

Karnatik Music - Karnataka Shastreeya Sangeeta

The origin of Carnatic music , or the South Indian classical music can be traced back to the age of vedas . Bharata's Natya Sastra , from around the 5th century A.D. , and Saranga Deva's Sangita Ratnakara , from the 13th century A.D. , are considered the earliest recorded treatises on the theory and performance of Indian music . The history of Carnatic music is incomplete without the contributions of the saints Sri Purandharadasaru ( 15th century A.D.) , Sri Thyagarajar , Sri Shyama Sastri ( all of 18th century A.D.) , and left an enduring legacy of compositions. This tradition has a rich heritage and is perfectly attuned with Indian culture and religion. Carnatic music is based on a 22 scale note contrary to the 12 note scale that is used in the western classical music. But in all its practical aspects, not more than 16 notes are used. A unique blend of these notes , or swara as they are called , evolves separate raga. The features and the constraints of a raga will be clearly defined in the arrangement of the notes in its arohanam ( ascending notes ) and avarohanam ( descending notes ). Thus , in Carnatic music , the raga connotes a mood or a route in which the music is supposed to travel. . Different combinations of the notes gives rise to different raga . Thus , there are thousands of unique raga in the literature though very few of them are being performed currently . gamaka and brigha are the two important features of the raga. The former refers to the frequency modulation about a particular note and the latter refers to the speed with which one performs a set of notes . The gamaka and the brigha adds to the beauty of the piece that is performed . Western music is mostly based on flat notes whereas , here , the notes are performed with modulations . The brigha could be an eight , sixteenth or so on . Another important aspect of the Carnatic music is the thalam . The thalam refers to the rhythm of the music that is performed . There are more than hundreds of thalam , but again , very few are in practice . The most popular thalam have 3 , 4 , 5 , 7 or 8 beats .


The Melakarta Ragams

The Melakarta Ragams are the 72 basic Janaka (parent) ragams for all of the infinite others in Carnatic Music. All of these ragams are saptaswaras, that is that they have all seven notes - Sa, Re, Ga, Ma, Pa, Da, Ne, and Sa. The system is divided into two sets of 36 ragams - one set with the first Ma and the second Ma. This is very similar to the Western concept of scales and the circle of flats.


Sapta Talas

This system of talams is the rythmic basis for Carnatic music. It is based on 7 core talas whcih use only 3 of the 6 possible components of an Indian talam - Anudrutam, Drutam, Laghu, Guru, Plutam, and Kakapadam. The Seven Talams are Dhruva, Matya, Rupaka, Jhampa, Triputa, Ata, and Eka Talams. Using these sapta talas all of the 150 Carnatic talams can be derived.

Saturday, September 20, 2008

Gangu bai Hanagal


A young Gangu Bai Hanagal

Gangubai Hangal with her daughter




Birth: 5th march 1913

name:Gangubai Hangal
Origin:Hubli, Karnataka
Hindusthani classical music- Khayal
Occupation(s):Hindusthani Classical Vocalist

Tivia:


Nicknamed "gaanewali", she was ostracized by the orthodox brahmins. But her irrepressible talent brought her the respect, status and the financial security she has always craved. Sabina Sehgal met Padma Bhushan Gangubai Hangal during her 75th birthday celebrations at her hometown, Hubli.

The story of the little girl Gangubai from Hangal, a remote village in Karnataka, almost reads like a fairy tale. Except that today, as Dr Gangubai Hangal turns 75 and continues to live happily ever after, her life and times, infinitely more than her music and fame, assume gigantic proportions. Because hers is not just a simple rags-to-riches story, but a far more complex one, which cannot be bandied simply as one from degradation to respectability.
Born in Dharwar, in 1913, into a family of Gangamats, or a class of simple boatmen, the social milieu in which Gangubai was brought up was by no means conducive. Being a shudra, and that too of the lowest order, was compounded by the fact that she was born into a family where the female folk assumed the role of what was euphemistically referred to as "Angavasthra", a term which, if literally translated, would correspond to an additional cloth or ornament draped by sophisticated men as a status symbol; a practice which was not necessarily considered immoral a century back. Gangubai, like her mother Ambabai, and her grandmother Kamlabai, all good musicians in their own right, belonged to this tradition. Both her father, Shri Nadgir and her husband, Shri Kaulgi, were brahmins, but interestingly, neither she nor her mother, assumed their names after marriage, or lived with them and their families; even Gangubai's children and grandchildren continue to call themselves "Hangal".
In fact, right from when she can remember, her life has been a series of contradictions. Of some childhood experiences in a predominant brahmin neighbourhood, Gangubai says: "I remember stealing fruit from our neighbour's mango trees. More than the act of stealing, I remember the neighbours being horrified that a singer's daughter should step into their compound. I would be thrown out. Incidentally, the same people invite me over to their house today and call me 'Gangubai' with great respect. There are so many incidents that I will never forget--I remember singing for the Belgaum Congress session which was attended by Gandhiji--my only paranoia throughout the programme was that I would be asked to eat my food separately."
And it is against this backdrop that it becomes essential to study the evolution of one of the greatest female musicians of our times. Gangubai's mother was a Carnatic music vocalist, but once her daughter started learning Hindustani music, she gave up her own style of singing so that her daughter could best hone her talents.

Gangubai's stage debut took place in Bombay, at the Bombay Music Circle, where she was heard by several eminent musicians. After her debut here, Jadden Bai (mother of film actress Nargis) convinced her to participate in a music conference in Calcutta. Gangubai recalls, "In Calcutta, when the organizers saw me, they insisted that I first sing in a private sitting a night before my concert was scheduled. I couldn't understand why they couldn't wait till the next day. Nisar Husain Khan Saheb took me aside and explained that the organizers had doubts about what I, a frail girl at that time, was capable of! I sang and was greatly appreciated. In fact, I was awarded a gold medal by the Maharaja of Tripura. At the same concert, I kept remembering my mother who was no more, and just then felt a hand on my shoulder. When I turned around, I saw K. L. Saigal, who said, 'bahut surila' (very melodious). I was happy but then very upset that a strange man should touch me!"
Other than her mother, Gangubai owes her musical training to Shri Krishnacharya, Shri Dattopant Desai and most significantly, to Pt. Rambhau Kundgolkar, better known as Sawai Gandharva--guru and teacher to many eminent musicians including Pt. Bhimsen Joshi and Firoze Dastur. Another strong influence on Gangubai's music, though indirect, was the singer from Agra, Zohrabai. Says Gangubai, "Even today I love Zohrabai's music."
Reminiscing about her training with her guru Sawai Gandharva, Gangubai recalls, "Guruji lived in Kundgol and I in Hubli--a distance of about 30 kilometres. I formally started learning from him somewhere around 1937, by which time I had a family to look after and anyway, it would have been impossible to live in Kundgol with him like Bhim-'Anna' (Bhimsen Joshi) did. And so I would travel from Hubli to Kundgol by train every evening, accompanied by my uncle Ram-'Anna', who lived with us. I still remember vividly the reception I received whenever I walked down the streets to guruji's house in Kundgol. People would rush out of their houses and jeer, 'Dekho, dekho, gaanewali aiyi hai' (see, see, the singer has come). It was humiliating, but I got used to it."

On the actual technique of training, Gangubai says, "Guruji did not teach me more than four Ragas. He often drew an analogy between swaras and money and said that one must spend only as much as is required of both. My practice would follow this method. I was given a certain 'palta' and would have to keep repeating it for days on end. It seemed boring and monotonous then, but later I thanked him for this rigorous training. The entire relationship with a guru was different in those days. Our respect for him was so great that there was no question of us asking him to teach us something particular, not because of our blind devotion, but because of our innate belief that he knew what was best for us. I remember getting caught by him invariably, whenever I tried something new. For instance, on radio, I sang Raga Bhinbhas [sic], working it out on my own, quite confident that guruji would not hear me, as there was no electricity in Kundgol. But as luck would have it, he happened to be in Belgaum that evening. I was subsequently taken to task for using a komal dhaivat in Bhinbhas. This was followed by comprehensive training of the Raga. There are so many Ragas with which I associate a strange incident with guruji--Suha, Marwa ... the list is endless."

But right through her days of training and more so after that, Gangubai's major concern was grappling with the more immediate financial problems that she increasingly found herself in. As Gangubai puts it, "Peace of mind is very essential in anything that you do--particularly in music. But in my case, it was just the opposite. What new things could I learn when I was constantly disturbed and unhappy? And I tell you, this whole concept of getting lost in music and forgetting the world around you, is a myth. In my case, I can openly say that my troubles and problems were not forgotten by just holding the tanpura in my hand. When I would sit down for riyaz, I would, on the contrary, break down and cry over the daily scene. Over the question of just surviving through the next day. And it wasn't for me that I was worried, but for the entire family that I supported. I personally never thought of becoming rich, of having a new car or house. Those ambitions never entered my mind. All I knew then was the money was not enough. There were many humiliations I had to face because of this. A certain lady musician in Pune invited me over to her house one day. Her mother asked how much I charged for a concert. I told her Rs 125. She suggested that I move over to Pune and accept all her daughter's rejected programmes. They knew I was very badly off. I was insulted by this suggestion and left their house immediately. But later I thought that maybe they were trying to be helpful."
Gangubai's relationship with her husband Shri Gururao Kaulgi has played a very significant role in her life. He proposed a civil marriage to her, but she turned it down because "he belonged to a respectable family and I wanted him to continue to belong there." Gangubai insisted that he marry his cousin and in fact grew very fond of his wife and their children.
Her selfless devotion to him was never considered a sacrifice by her and even though he was a brahmin, a lawyer, it was ironically she who supported him throughout. "He did not practise law and so whatever money I earned, I just placed before him. He invested in business--trucks, cars--but lost everything. I could not bear to see him unhappy. Often he would disappear from home for months on end. The bank people would come and harass me, ask for my property as I was unable to repay the loans. This happened several times. I had to sell everything I had. I will never forget or forgive myself for not being by his bedside before he died. I had a programme in Bombay, but I did not want to go. He insisted because we needed the money. While I was performing, he died."

On her life as a performer, Gangubai recalls the grand old days of the All India Music Conference, when the best in the music world--Omkarnath, Kesarbai, Bismillah Khan, Allauddin Khan, Siddeshwari Devi and many others would come for nine days, from December 25 to January 1 every year and hear each other sing. Each artiste was assigned two sittings. "It was a great experience. Unfortunately those days are over. Nowadays, you seldom see an artiste listening to another artiste. Also, the sangeet jalsas, would go on for hours. I remember the tickets were priced at 50 paise for sitting on the ground and a rupee for a chair! All this may sound quaint today.

"But there was a strong bond between us artistes in the old days. I remember when Siddheshwari Devi was laid in bed with paralysis, we went to meet her and asked her if she needed help. She asked me to sing Bhairavi for her. She listened with tears in her eyes."
Gangubai has many more reflections--on the dance she once learnt--kathak, on her mother whom she loved dearly, on the musical scenario, on concerts, on gharanas, on life, on students of today, on her voice, which many brand as "more manly than the best male voice."
Hubli, the town which has seen Gangubai at every stage of her life, paid a touching tribute to the grand old lady recently on the occasion of her seventy-fifth birthday. The three-day celebration was attended by all those close to her, including her family, Pt. Bhimsen Joshi, Mrs Vijaya Mulley (who has known Gangubai for many years, done research on her and recently made an extremely sensitive film on her), Dr. S. S. Gore, Bhairappa, H. Y. Shardaprasad and several others. Said Shardaprasad, "The greatness of this lady lies in her simplicity--it is this that draws her to both old and young alike." Pt. Bhimsen Joshi recounted his association with her and was moved by the occasion. The special photo and book exhibition on the Kirana gharana, mounted by Sateesh Paknikar of Pune, was outstanding. A book and a series of records released on the occasion throw special light on the life of Gangubai and contain well-researched, valuable material--a treasure for posterity.

Even today, at 75, and yet actively performing, recipient of every comprehensible award, including the Padma Bhushan, the Tansen Award, The Sangeet Natak Akademi Award, among others, Gangubai's experience with life does not allow her to be affected by any of it. She often laughs that Karnataka University has conferred a doctorate on her. "I have not studied beyond class V you know."

Reflecting on the time she was awarded the Padma Bhushan, she says, "Ramanna and I stayed up the whole night and remembered all the things one would like to forget--the mental traumas, the pain, the suffering. What a happy moment and such unhappy thoughts!"
A lot of people ask Gangubai what it feels like being 75. She smiles, but has no words. The look on her face tells you all. It is almost as if she is laughing at the words, scoffing those who shower her with honour and respectability now, when she no longer needs it; perhaps when she was 25 or 30 she would have had more use for it!

Friday, September 19, 2008

music therapy



***Music therapy***

Music attracts each n every1 from children to old1nce. Music, it has many kindz. Likes depends on diff music styles. Some1 likes pure classical music style, some goes wid heavy metal..! It’s a diff matter. But it’s not an over appreciating if I say d music is some thing awesome some thing special. Music tones of lakes can b a healthy drugs, tonics4 many kindz of diseases no matter how d disease of type. It may b of physical or mental disorders. Music can b d best, effective treatment4 such diseases not only4 d human being but for d dumb animals too.

Music can re encourage, enlighten d seven wheels in d human body wid its seven ‘swaras’.How the different ‘RAGAS’ in music, plays some effective roles in treatment!? Dis is our complete concept and knowledge over d music treatment!

“MUSIC: if u knows n understand, it is d best n easiest way for concentration.”
-Swami Vivekananda.

The main thing is one who goes wid dis treatments need not know about d minimum knowledge abt d music.
The foreign countries started this ‘music treatment’ in 9th century.
Ø The great Arabian psychologist in Europe Al-kindi (801-873) called as ‘Alkindas’ was the first person who tried this experiment of music treatment.
Ø After Alikindas another Persian psychologist Al-pharabi (872-950) discussed in his famous book ‘Meanings of the intellect’ the characteristics of music treatments.
Ø In 17th century Robert Burten has written in his ‘Anatomy of melancally’ for mental disorders music and dance can b used as main treatment.
Now a day in America many music treatment related associations are developed. ‘National associations for music therapy’ (1950) and ‘American associations for music therapy’ (1971) were joined together and started new very effective institute named ‘American music therapy associations’ in 1998. Rather than this many more associations are established like ‘Nardaph Robins centre for music therapy’, ‘The Baani foundation’.
In America music therapist are called as M.T - B.C (music therapist – board certified). In Canada they are called as M.T.A (music therapist accredited). If anybody wants to b called a ‘music therapist’ @least s/he should have a degree over it. To get that degree it is not enough having a knowledge about Guitar, piano, voice, music theorems, music history but one should have 1200 hours clinical training. And it is necessary. In America this therapy is considered deeply. Some companies like ‘Medicare’, ‘medicade’ are having re funding plan for this treatment.
In England music therapy has get canvassed after world wars. The solders that are defeated mentally physically are enlightened by this music therapy. Some musicians had a performance in the hospitals to pull up the solders mentally. After that it was developed and practised. In 1970th century a musician Juliet Alvin was quite improved in this therapy. Before this no1 can forget the gift of Poul Nardaph and klyve Robert to this field in 1950-60s. Poul and Robert believed that every1‘ll respond to music. And they gave plenty of programs about this treatment in many countries like America, England, South Africa, Germany and many more. The main branch of Poul and Robert institute is in London. In Brittan, the only therapy related PhD courses are available here. This therapy has developing higher and higher as ‘World Congress of Music Therapy’ program has taking place yearly. This program has conducted in Oxford in 2002.


































The table which represents some Hindustani ragas which effect on the particular diseases and in particular time to listen those ragas.
sl/no
Ragas (gÁUÀUÀ¼ÀÄ)
Diseases (PÁ¬Ä¯ÉUÀ¼ÀÄ)
Effective timing (¢£ÀzÀ ¸ÀÆPÀÛ ¸ÀªÀÄAiÀÄ )
01
Aheer Bhairav

Morning
02
Asaavari

Morning
03
Basanth Bahaar

Morning
04
Hindol

Morning
05
Choun Puri

Morning
06
Nata Bhairavi

Morning
07
Bheem palas

After noon
08
Madhuvanthi

After noon
09
Shudha Saarang

After noon
10
Maarva

Evening
11
Purya

Evening
12
Shri Raga

Evening
13
Yaman

Evening
14
BhageSri

Night
15
Chandra kouns

Night
16
Darbari

Night
17
Kedaar

Night
18
Maal kouns

Night
19
Malhaar

Night
20
Bhairav

Any Time