Shaggy - It Wasn't Me Lyrics

(feat. Ricardo Ducent)
(Yo', man) Yo'
(Open up, man) What do you want, man?
(My girl just caught me) You let her catch you?
(I don't know how I let this happen) With who?
(The girl next door, you know) Man
(I don't know what to do) Say it wasn't you
(Alright)

Honey came in and she caught me red-handed
Creeping with the girl next door
Picture this, now we were both caught making
love on the bathroom floor
How could I forget that I had
Given her an extra key
All this time she was standing there
She never took her eyes off me

How you can grant the woman access to your villa
Trespasser and a witness while you cling to your pillow
You better watch your back before she turn into a killer
Best for you and the situation not to call the beaner
To be a true player you have to know how to play
If she say you're not, convince her say you're gay
Never admit to a word when she say makes a claim
And you tell her baby no way

But she caught me on the counter (It wasn't me)
Saw me kissing on the sofa (It wasn't me)
I even had her in the shower (It wasn't me)
She even caught me on camera (It wasn't me)

She saw the marks on my shoulder (It wasn't me)
Heard the words that I told her (It wasn't me)
Heard the scream get louder (It wasn't me)
She said our dealy was over

Honey came in and she caught me red-handed
Creeping with the girl next door
Picture this, we were making
Love on the bathroom floor

I had tried to keep her
From what she was about to see
Why should she believe me
When I told her it wasn't me

Make sure she knows it's not you and lead her on da right prefix

Whenever you should see her make da giggolo flex
As funny as it be by you, it not that complex
Seein is believin so you better change your specs
You know she not gonna be worrying bout things from the past
Hardly recollecting and then she'll go to noontime mass
Wait for your answer: go over there
But if she pack a gun you know you better run fast
But she caught me on the counter (It wasn't me)
Saw me kissing on the sofa (It wasn't me)
I even had her in the shower (It wasn't me)
She even caught me on camera (It wasn't me)

She saw the marks on my shoulder (It wasn't me)
Heard the words that I told her (It wasn't me)
Heard the scream get louder (It wasn't me)
She said our dealy was over

Honey came in and she caught me red-handed
Creeping with the girl next door
Picture this, we were both caught making
Love on the bathroom floor

How could I forget that I had
Given her an extra key
All this time she was standing there
She never took her eyes off me

Gonna tell her that I'm sorry
For the pain that I've caused
I've been listenin to your reasonin
It makes no sense at all
We should tell her that I'm sorry
For the pain that I've caused
You may think that you're a player
But you're completely lost
That's why I sing

Honey came in and she caught me red-handed
Creeping with the girl next door
Picture this, we were caught making
Love on the bathroom floor

How could I forget that I had
Given her an extra key
All this time she was standing there
She never took her eyes off me

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Shaggy - Angel Lyrics

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Shaggy - Angel Lyrics

Shooby dooby dooby doo woi
Shooby doo
Oh
Shooby doo dooby doo boi oi
Yeah, ah

Girl, you're my angel, you're my darling angel
Closer than my peeps you are to me, baby
Shorty, you're my angel, you're my darling angel
Girl, you're my friend when I'm in need, lady

Life is one big party when you're still young
But who's gonna have your back when it's all done
It's all good when you're little, you have pure fun
Can't be a fool, son, what about the long run
Looking back Shorty always mention
Said me not giving her much attention
She was there through my incarceration
I wanna show the nation my appreciation

Girl, you're my angel, you're my darling angel
Closer than my peeps you are to me, baby
Shorty, you're my angel, you're my darling angel
Girl, you're my friend when I'm in need, lady

You're a queen and so you should be treated
Though you never get the lovin' that you needed
Could have left, but I called and you heeded
Begged and I pleaded, mission completed
Mama said that I and I dissed the program
Not the type to mess around with her emotion
But the feeling that I have for you is so strong
Been together so long and this could never be wrong

Girl, you're my angel, you're my darling angel
Closer than my peeps you are to me, baby

Shorty, you're my angel, you're my darling angel
Girl, you're my friend when I'm in need, lady

Uh, uh
Girl, in spite of my behavior, said I'm your savior
(You must be sent from up above)
And you appear to me so tender, say girl I surrender
(Thanks for giving me your love)

Girl, in spite of my behavior, well, you are my savior
(You must be sent from up above)
And you appear to me so tender, well, girl I surrender
(Said thanks for giving me your love)

Now life is one big party when you're still young
And who's gonna have your back when it's all done
It's all good when you're little, you have pure fun
Can't be a fool, son, what about the long run
Looking back Shorty always mention
Said me not giving her much attention
She was there through my incarceration
I wanna show the nation my appreciation

Girl, you're my angel, you're my darling angel
Closer than my peeps you are to me, baby
Shorty, you're my angel, you're my darling angel
Girl, you're my friend when I'm in need, lady

Girl, you're my angel, you're my darling angel
Closer than my peeps you are to me, baby
Shorty, you're my angel, you're my darling angel
Girl, you're my friend when I'm in need, lady

RAgA-RAsA

The relation b/wn ‘RAGA’ and ‘RASA’ There’s a special meaning to a word ‘rasa’ in classical vocal as well as instrumental music. The different ragas point outs the specific ‘rasa’. The different rasa’s like shrungara, karuna, veera, bhakthi... which specifies the particular ragas will help to know the layers of music. What actually the meaning of ‘RASA’ in music world? According to Bharatha, in his classical dance there are nine different kinds of RASA. There are.., Ø Veera rasa Ø Karuna rasa Ø Adbhuta rasa Ø Hasya rasa Ø Shrungara rasa Ø Bhayanaka rasa Ø Bheebhatsa rasa Ø Roudra rasa Ø Shanta rasa There’s an opportunity to exhibit these nine rasas in different arts. It may b in lyrical, musical,dance,yakhagana, rangabhumi n in many more. A musician can show clearly the taste of veera rasa, karuna rasa, bhakti rasa, shrungara rasa with his fusion experiments of music. In music the different ragas produce the particular rasa. For example adhna raga, Hindola ragas are suitable for veera rasa. Karuna rasa: The ragas like todi, gurjari todi, bilaskhani todi, jog raga,asavari ragas ‘ll produce the karuna rasa which feels sadness, poorness situations. Roudra rasa: This rasa ‘ll produce in the anger situations. It can be easily identified by different statues in dance. Haasya rasa: This rasa ‘ll produce in the humour situations Which can be seen usually in the rangabhumi. Adbhuta rasa: This rasa’ll podduced in the astonishing situations which is usually used in bharathanatyam with different statues. And this adbhuta rasa can also be produced by the Hindusthani music using different ragas with alankaras,tals says musicians. Bhayanaka rasa: It can b shown thro’ acting. we can identify bhayanaka rasa in yakshgana also. Shanta rasa: Some of very famous ragas like darabari kanada, bheemplasi, malkouns point outs this shanta rrasa. Shrungara rasa: Many ragas represents this shrungara rasa. Shrungara rasa is the main rasa in music. Some ragas like yaman, khamaj, kaphi, tilak kamod, basant, bahar ragas produse this shrungara rasa. Bhebhatsa rasa: This rasa ‘ll produced in the horror, avoiding situations. Some ragas like rageshree, marva ragas produce this bheebhtsa rasa. Bhakti rasa: Bhajanas with selected ragas produce the bhakthi rasa.Some ragas like bhyrav, purvi ragas produces this bhakthi rasa. Some of karnatic classical ragas also represents some particular rasa. Some ragas like kamach, mohan represents shrungara rasa. similarly kaphi represents both hasya and shrungara rasa. Raga saveri- karuna rasa, shree and madhyamavati- bhakti rasa, athana and bhegade- veera rasa, respectively. The mela karta ragas namely kalyani and shankarabharana are suits for al nine rasas. Raga hamsadhvani represents the fusion of veera rasa and bhakti rasa. Like this the actions-reactions by the situations appear in the human life is different which can be shown by the music with ragas. This clear us that the tight relation b/wn “RAGA” and “RASA”.